Software House by Zero-G Studio

Your pizzeria's numbers, finally clear

Every pizzeria already has the data it needs: the sales recorded by the till and the suppliers' e-invoices. Usually, though, they just sit there, scattered. PrePiz brings them together: you upload sales and invoices, and the numbers add themselves up. The only thing to type in by hand, just once, is the recipes.

The cost of each dish follows real prices. When an invoice arrives, ingredients are updated and the margin is recalculated. The menu is read by what it really earns, customers by what they do, the city by areas and distances. For any question there's the Copilot, an assistant that answers in Italian about your numbers.

PrePiz doesn't replace the till or the management software: it works alongside the ones the restaurant already uses. It was built together with people who run a pizzeria every day, on the data of a real restaurant.

Conquer Rome, one card at a time.

Step into the arena with a 40-card deck. Legionaries, gladiators, senators and gods fight for you: every turn you decide whom to deploy, which spell to cast and where to hide a trap. Units attack and defend, spells change the field in an instant, traps stay face down until your opponent falls for them, and terrains change the rules for both sides.

In the Colosseum you take on other players in ranked matches and climb the season's leaderboard. On the Path of Glory you cross the history of Rome in a chapter-based campaign, with purpose-written battles and bosses to bring down. At the Ludus Magnus you train against the computer.

The game is a living map of Rome: at the Market you find packs, at the Armoury you build decks, at the Baths you play Ludus Latrunculorum, the legionaries' ancient board game. And it's free to play, without even an account to try it: Sestertii can be bought but aren't needed to play, and the odds of every pack are published, card by card.

Some of the illustrations are made with generative artificial intelligence tools, under the direction of the author, who selects and reviews them.

Train, track, prove.

Every company has training obligations coming from different regulations — workplace safety, GDPR, the AI Act — and most keep track of them in an Excel sheet, until an inspection asks them to prove everything, right now. Adempio does three things, and does them all the way: the Register says who has to do what and whether they're compliant or overdue; alerts arrive 60, 30 and 7 days before the deadline; the File gathers certificates with a verifiable digital signature, ready to show.

It's designed for those who manage training for other companies — training providers, consultancies, health and safety officers — and it works under your own brand: each provider uses it with its own logo, on its own clients. If you already have training management software that does all this, you don't need Adempio; if your clients' deadlines live in a spreadsheet, it's made exactly for you.

The right place, the wrong graphics.

GLITCH starts with a mistake: a modern 3D character, detailed and smooth, wakes up inside a game that isn't theirs — grainy textures, hard edges, fog at twenty metres. A '90s video world. To get home they have to get through a tomb in proper style: levers, platforms, a rolling boulder, walls to climb and three portal fragments hidden in its wings.

It's a short, complete adventure — twenty to thirty minutes — built with love for the PS1 era and its tricks, right up to the final scene, where the graphics... well, that you have to see.

It's also Zero-G Studio's first published game: it's free, and at the end there's a question for the players — do you want chapter two?

An assistant that doesn't live on a web page.

Aria is the assistant the studio built to fit its own needs: an app that lives on the computer, with a holographic interface all of its own. You speak to it in Italian — speech recognition runs locally, even offline — and it answers out loud and gets things done: around seventy-five actions controlling the PC, from programs to files.

It wasn't made to be sold: it was made because it was needed, and it became the studio's testing ground for everything about AI that acts — voice, memory, autonomy, limits. Much of what the studio teaches in its courses and puts into its other products went through here first.

The flat-rate scheme, without the flat-rate anxiety.

For the self-employed on the flat-rate scheme, bookkeeping is simple on paper and full of traps in practice: deadlines, advance payments, contributions, limits not to exceed. Zero-G Contabilità comes from the first-hand experience of someone who lives under the flat-rate scheme, and does an accountant's job: it keeps the books, prepares the picture of taxes and contributions, and flags every deadline before it becomes a problem. With one deliberate choice: the data lives on your computer.

It's the tool the studio uses to run its own VAT number, every day. If you're curious, write to us.

The house is giant. You are small. The Rot won't wait.

In Maturi the world is a house seen from blueberry height: the Vegetable Garden outside the window, the Fridge with its frost glaciers, the Barbecue that's basically a volcano. Every room is a biome, every biome has its dangers and its boss, and at the far end the Rot keeps advancing, corrupting everything it touches.

Your defence is a squad of fruit and vegetables armed to the teeth, in cartoon style: every champion has their own role, personality and lines. Combat is turn-based — you think, you combine, you land the right blow at the right moment — and between battles you recruit, equip and explore.

It's a comic game that takes only two things seriously: tactics and its characters.

Ideas fly away. This app catches them.

Anyone who teaches knows it: the best ideas for a lesson come while watching a video at eleven at night, and by the next day they're gone. Acchiappa Idee — Italian for "idea catcher" — is the tool the studio built so as not to lose them: you capture the video, the app files it in the project, the AI listens to it and analyses it, and that idea becomes new teaching material — an HTML lesson or an animated video — with original content and graphics.

The principle is clear-cut: the original video is a starting point for study, never a source to copy. What comes out is the studio's own work, to be used in the classroom and in courses.

The shoemaker's software, with good shoes on.

Liftoff is the studio's answer to a problem of its own: selling and managing web services for small businesses meant juggling a sheet for contacts, management software for clients, and memory for everything else. Liftoff brings the three together in three spaces: the Engine finds and qualifies leads, the Showcase handles the sales side, the Heart manages clients and projects.

It's an in-house tool: it isn't for sale, but it's on display because it shows how the studio works — its software is born from real needs and put to serious use before being offered to others. If you're curious, or could use something similar, write to us.

When the light fades, the world forgets.

On every expedition you choose a Guardian, a weapon and a Lantern, and dive into the drowned biomes. Upgrades are Memories — of childhood, of craft, of love, of war, of grief — and at the end of each biome comes the choice that decides everything: go back up and keep what you have safe, or dive deeper and risk it.

The mechanic that gives the light its meaning is the Lantern: the oil runs low, and as it does, the dark doesn't just hide things — the game forgets along with you. The map fades, enemies grow stronger. Exploring further pays more, but every step beyond costs light.

Between one dive and the next there's the lighthouse: the village is rebuilt memory by memory, the inhabitants come back one by one, and each has something to tell you that they didn't remember the time before.

In co-op the game changes skin: two Guardians' Memories enter Resonance and unlock combinations impossible alone, whoever falls stays on the field as a shadow that lights the way, and each player finds different fragments of the same story — which only comes together by talking it over.

One-off purchase, no in-game shop: replayability comes from the systems, not from content to sell.